Original Cyanotype Print – Botanical Leaf Photogram – Handmade Blue Art|20×15 cm

Artwork made in Malta 2026 Cyanotype on 250 gsm paper, 20×15 cm, signed on the back. The cyanotype process is an early photographic technique that uses sunlight instead of a camera. Objects are placed on light-sensitive paper coated with iron salts and exposed to UV light. After washing in water, the image appears in deep Prussian blue. Almost all my cyanotypes are made while traveling, in different countries. I collect natural fragments along the way — leaves, thorns, feathers — and place them directly onto hand-coated paper, exposing them to sunlight outdoors. Each print is unique and slightly unpredictable, shaped by light, weather, and time. No two are ever the same.

Original Cyanotype Print – Botanical Leaf Photogram – Handmade | 15×20 cm

Artwork made in Malta 2026 Cyanotype on 250 gsm paper, 15 × 20 cm, signed on the back. The cyanotype process is an early photographic technique that uses sunlight instead of a camera. Objects are placed on light-sensitive paper coated with iron salts and exposed to UV light. After washing in water, the image appears in deep Prussian blue. Almost all my cyanotypes are made while traveling, in different countries. I collect natural fragments along the way — leaves, thorns, feathers — and place them directly onto hand-coated paper, exposing them to sunlight outdoors. Each print is unique and slightly unpredictable, shaped by light, weather, and time. No two are ever the same.

Thorn|Cyanotype Botanical Print | Handmade Blue Photographic Art | 15×20 cm

Artwork made in Malta 2026 Cyanotype on 250 gsm paper, 15 × 20 cm, signed on the back. The cyanotype process is an early photographic technique that uses sunlight instead of a camera. Objects are placed on light-sensitive paper coated with iron salts and exposed to UV light. After washing in water, the image appears in deep Prussian blue. Almost all my cyanotypes are made while traveling, in different countries. I collect natural fragments along the way — leaves, thorns, feathers — and place them directly onto hand-coated paper, exposing them to sunlight outdoors. Each print is unique and slightly unpredictable, shaped by light, weather, and time. No two are ever the same.